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The pair of releases released up to now by Ashnymph defy easy classification: the band's own tag of the sound as “subconscioussion” provides few hints. Their initial track Saltspreader combined a pounding industrial rhythm – member Will Wiffen has at times appeared on stage sporting a shirt that bears the logo of Godflesh, icons of industrial metal – with vintage-sounding synthesisers and a guitar line that vaguely recalls the enduring garage rock anthem I Wanna Be Your Dog, before transforming into a barrier of unsettling sound. Its intended effect, the group has mentioned, was to conjure highway journeys, “the grinding circulation of vehicles all day long over vast spans … amber lights after dark”.

The subsequent track, the song Mr Invisible, occupies a space between club music and experimental rock. For one thing, the cut's tempo, layers of hypnotic electronics, and vocals that arrive either hallucinogenically distorted or hypnotically looped in a way that brings back the classic Underworld album era all indicate the dancefloor. On the other, its powerful concert-like energy, brink-of-disorder feel and overdrive – “making everything sound crunchy is a long-term goal,” Wiffen noted – set it apart as undeniably a band creation rather than a solitary home producer. They've gigged around south London’s DIY scene for less than a year, “anywhere that will turn the PA up loud”.

But each is thrilling and unique – from one another and contemporary releases – to prompt questions about Ashnymph's upcoming moves. Regardless of the form, on the strength of these tracks, it’s probably not dull.

This Week’s Best New Tracks

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Get a Life by Molly Nilsson
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